3 journalers for this copy...
It is no accident that Federico Andahazi draws a parallel between his Renaissance hero, the anatomist Mateo Colombo, and the explorer Christopher Columbus. It is the conceit of his first novel, The Anatomist (beautifully translated from the Spanish by Alberto Manguel), that both Colombos made "equally momentous and disturbing" discoveries. Every schoolchild can tell you what Columbus's was; less well known, perhaps, is that of his countryman and fellow "explorer." "Mateo's America is less distant and infinitely smaller than Christopher's; in fact, it's not much larger than the head of a nail." In short, Mateo Renaldo Colombo discovered the Amor Veneris, the clitoris.
The Anatomist is based on a historical figure and historical fact; what Andahazi provides is his title character's heart and soul. The fictional Colombo is driven by desire for the high-priced courtesan Mona Sofia. After breaking both his heart and his bank account over her, Colombo returns to his native Padua whence he is eventually called to Florence to treat a saintly young widow, Inés de Torremolinos. While examining her, he discovers "between his patient's legs a perfectly formed, erect and diminutive penis." Land ho.
Though Colombo's "discovery," first in Inés and then in other women, offers plenty of opportunity for eroticism, the most compelling aspect of The Anatomist lies in the Church's reaction to De re anatomica, the book Colombo writes detailing his find. Colombo's unfolding of "the key to the heart of all women ... the anatomical cause of love" soon lands him in prison on charges of heresy and Satanism. The trial, Mateo's defense, and the surprising aftermath make for provocative reading and raise The Anatomist above the level of the merely erotic to a more intriguing philosophical plane, one that is sure to prompt a lively discussion or two. --Alix Wilber
This will be sent to HoserLauren who got it in a swap. We decide the bride may benefit from this anatomical education.