New Oxford History of Music, Volume III: Ars Nova and the Renaissance(J5339)
by Dom Anselm Hughes and Gerald Abraham | Nonfiction | This book has not been rated.
ISBN: Global Overview for this book
ISBN: Global Overview for this book
This book is in a Controlled Release!
1 journaler for this copy...
discarded by library
hardback
565pp including index
published, 1960
Partial list of contents:
Introduction to Volume III
I. Ars Nova in France, by Gilbert Reaney, Lecturer in Music, University of Reading
*The Social Background
*The Notation
*The Roman de Fauvel
*Philippe de Vitry
*The Ballade and Virelai
*Guillaume de Machaut
*Machaut's Motets
*Cyclic Masses...
II. The Fourteenth Century in Italy, by Leonard Ellinwood
*The Social Background
*Extent of Musical Culture
*Music in Contemporary Literature
*Thirteenth-century Influence
*Influence of the Poets
*Polyphonic Beginnings...
III. English Church Music in the Fourteenth Century, by Frank L.L. Harrison, Lecturer in Music, University of Oxford
*Changes in Liturgical Practice
*The New College Motets
*The New College Conductus
*Parallel Movement
*The Hatton Manuscript
*The Bury St. Edmunds Manuscript...
IV. Popular and Secular Music in England (to c. 1470), by Manfred F. Bukofzer, late Professor of Music, University of California
*Sacred and Secular
*Popular and Learned
*Music set to English words
*Motets with English words
*Popular Music in Fourteenth-Century England...
V. The Transition on the Continent, by Rudolf Von Ficker, late Professor of Musicology, University of Munich
*Introductory
*The Transition in France
*Avignon Mass Settings
*French Secular Music
*The Transition in Italy
*The Reina and Turin Codices...
VI. English Church Music of the Fifteenth Century, by Manfred F. Bukofzer
*The English idiom
*The Old Hall Manuscript
*Italian Influence
*Isorhythmic Compositions
*Leonel Power
*Power's First Period
*Power's Second Period
*Descant and Fauxbourdon...
VII. Dufay and His School, by Charles Van Den Borren, Professor of Music, University of Brussels
*The Significance of Dufay
*The World of Music in Dufay's Early Years
*The New Style of Fifteenth-century Music
*The Schools of Liege and Cambrai
*Motets, Sacred and Secular
*Methods of Mass Setting...
VIII. The Age of Ockeghem and Josquin, by Nanie Bridgman
*Introduction
*The Netherland Style
*Musical Forms
*The Performance of Music
*Ockeghem and His Church Music
*Ockeghem's Chansons...
IX. English Polyphony (c. 1470-1540), by Frank L.L. Harrison
*English and Continental Styles
*Renaissance Elements in English Music
*Choral Foundations
*Liturgical Forms
*The Eton Choirbook
*The Development of the Florid Style
*Davy's 'Passion'
*Antiphons by Fayrfax and Cornysh...
X. European Song (1300-1530), by Walter Salmen, Lecturer at the University of Saabrucken
*Introduction
*Popular Song
*Popular Religious Songs
*Narrative Songs
*The Minnesang of the Later Middle Ages
*The Meistergesang of the Middle and Upper Classes...
XI. Secular Vocal Music in Italy (c. 1400-1530), by Everett Helm
*Introductory
*Popular Music and Courtly Improvisation
*Carnival Songs
*Laudi
*The Frottola Forms...
XII. The Instrumental Music of the Middle Ages and Early Sixteenth Century, by Yvonne Rokseth, late Professor of Music, University of Strasbourg
*The Twelfth and Thirteenth Centuries
*Instruments in the Lais and Romances
*Dance Forms
*The Instrumental Motet
*Uses of the Viol
*The Organ...
XIII. Musical Instruments, by Gerald Hayes
*Introductory
*Instruments of Late Classical Days
*The Early Psaltery
*Early Organs
*New Instruments in the Dark Ages
*Early Craftsmanship...
*Virginals and Clavichord
*'Symphony' and Organ
*Mandora and Lute
*Citole and Gittern
*Bells and Drums...
Bibliography
hardback
565pp including index
published, 1960
Partial list of contents:
Introduction to Volume III
I. Ars Nova in France, by Gilbert Reaney, Lecturer in Music, University of Reading
*The Social Background
*The Notation
*The Roman de Fauvel
*Philippe de Vitry
*The Ballade and Virelai
*Guillaume de Machaut
*Machaut's Motets
*Cyclic Masses...
II. The Fourteenth Century in Italy, by Leonard Ellinwood
*The Social Background
*Extent of Musical Culture
*Music in Contemporary Literature
*Thirteenth-century Influence
*Influence of the Poets
*Polyphonic Beginnings...
III. English Church Music in the Fourteenth Century, by Frank L.L. Harrison, Lecturer in Music, University of Oxford
*Changes in Liturgical Practice
*The New College Motets
*The New College Conductus
*Parallel Movement
*The Hatton Manuscript
*The Bury St. Edmunds Manuscript...
IV. Popular and Secular Music in England (to c. 1470), by Manfred F. Bukofzer, late Professor of Music, University of California
*Sacred and Secular
*Popular and Learned
*Music set to English words
*Motets with English words
*Popular Music in Fourteenth-Century England...
V. The Transition on the Continent, by Rudolf Von Ficker, late Professor of Musicology, University of Munich
*Introductory
*The Transition in France
*Avignon Mass Settings
*French Secular Music
*The Transition in Italy
*The Reina and Turin Codices...
VI. English Church Music of the Fifteenth Century, by Manfred F. Bukofzer
*The English idiom
*The Old Hall Manuscript
*Italian Influence
*Isorhythmic Compositions
*Leonel Power
*Power's First Period
*Power's Second Period
*Descant and Fauxbourdon...
VII. Dufay and His School, by Charles Van Den Borren, Professor of Music, University of Brussels
*The Significance of Dufay
*The World of Music in Dufay's Early Years
*The New Style of Fifteenth-century Music
*The Schools of Liege and Cambrai
*Motets, Sacred and Secular
*Methods of Mass Setting...
VIII. The Age of Ockeghem and Josquin, by Nanie Bridgman
*Introduction
*The Netherland Style
*Musical Forms
*The Performance of Music
*Ockeghem and His Church Music
*Ockeghem's Chansons...
IX. English Polyphony (c. 1470-1540), by Frank L.L. Harrison
*English and Continental Styles
*Renaissance Elements in English Music
*Choral Foundations
*Liturgical Forms
*The Eton Choirbook
*The Development of the Florid Style
*Davy's 'Passion'
*Antiphons by Fayrfax and Cornysh...
X. European Song (1300-1530), by Walter Salmen, Lecturer at the University of Saabrucken
*Introduction
*Popular Song
*Popular Religious Songs
*Narrative Songs
*The Minnesang of the Later Middle Ages
*The Meistergesang of the Middle and Upper Classes...
XI. Secular Vocal Music in Italy (c. 1400-1530), by Everett Helm
*Introductory
*Popular Music and Courtly Improvisation
*Carnival Songs
*Laudi
*The Frottola Forms...
XII. The Instrumental Music of the Middle Ages and Early Sixteenth Century, by Yvonne Rokseth, late Professor of Music, University of Strasbourg
*The Twelfth and Thirteenth Centuries
*Instruments in the Lais and Romances
*Dance Forms
*The Instrumental Motet
*Uses of the Viol
*The Organ...
XIII. Musical Instruments, by Gerald Hayes
*Introductory
*Instruments of Late Classical Days
*The Early Psaltery
*Early Organs
*New Instruments in the Dark Ages
*Early Craftsmanship...
*Virginals and Clavichord
*'Symphony' and Organ
*Mandora and Lute
*Citole and Gittern
*Bells and Drums...
Bibliography
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