from barnesandnoble.com:

From the Publisher
More Than You Know is a haunting novel that bridges two centuries, two mother-daughter relationships, and two tragic love stories. In a small town called Dundee on the coast of Maine, an old woman named Hannah Gray begins her story by saying "Somebody said 'true love is like ghosts, which everyone talks about, and few have seen.' I've seen both, and I don't know how to tell you which is worse."

Hannah has a passionate and painful story of true love and loss: the story of a ghost that appeared in her life, and in the life of Conary Crocker, the wild and appealing boy who loved her.

Interwoven with their love story is a story of a marriage that took place in Dundee a hundred years earlier. As the parallels and differences between the two families are revealed, the reader comes to understand that someone in the nineteenth-century story has become the very unquiet soul haunting the twentieth. But not until the end do we learn (as Hannah never can) what force of mischance and personality has led to so much damage, and no one knows if such damage is ever at an end.


Synopsis
More Than You Know is a haunting novel that bridges two centuries, two mother-daughter relationships, and two tragic love stories. In a small town called Dundee on the coast of Maine, an old woman named Hannah Gray begins her story by saying "Somebody said 'true love is like ghosts, which everyone talks about, and few have seen.' I've seen both, and I don't know how to tell you which is worse."
Hannah has a passionate and painful story of true love and loss: the story of a ghost that appeared in her life, and in the life of Conary Crocker, the wild and appealing boy who loved her.

Interwoven with their love story is a story of a marriage that took place in Dundee a hundred years earlier. As the parallels and differences between the two families are revealed, the reader comes to understand that someone in the nineteenth-century story has become the very unquiet soul haunting the twentieth. But not until the end do we learn (as Hannah never can) what force of mischance and personality has led to so much damage, and no one knows if such damage is ever at an end.

"Beth Gutcheon is one of the elect. One of those few novelists who write truthfully and movingly about everything life offers."—Susan Isaacs


From The Critics
Barnes & Noble Guide to New Fiction
This "lovely, haunting, and engaging" novel spans more than two centuries of family relationships, both good and bad, loving and controlling. "The writing is intimate and cozy." "Left me breathless. Get the Kleenex out" for this one.

Sandra Scofield
Completely engrossing and entertaining, replete with suspense, grace, and sympathy... —Newsday

Shirley Hazzard
An exceptional novel — thrilling, taut, austere: this is extraordinary writing of a tense, crystalline beauty.

Reeve Lindbergh
...Gutcheon is a wonderful writer. More Than You Know is a triumph, ghost and all. —Boston Herald

Publishers Weekly
It's a rare author who can combine a humdinger of a ghost tale with a haunting story of young love, and do so with literary grace and finesse. Gutcheon does just that and she acquits herself beautifully in this poignant novel. What's more, she adroitly manages alternating narratives, set a century apart, raising the level of suspense as the characters in each period approach the cusp on which a life turns, in parallel events that will irrevocably define the future for all of them. The novel is essentially two stories of doomed love and its consequences for future generations. Narrator Hannah Gray is an elderly widow when she relates the circumstances of the summer when she fell in love with Conary Crocker, a charming young man from a poor family in Dundee on the coast of Maine. Brought to Dundee from Boston during the Depression by her abusive stepmother, Hannah learns about the fate of distant ancestral relatives of hers and Conary's, who lived on now-deserted Beal Island in the mid 1800s. The reader learns the horrifying details in the same small increments that Hannah does, via the alternating point of view of Claris Osgood, who in 1858 defies her parents and marries taciturn Danial Haskell, moving with him to the island where, too late, she discovers her new husband's narrow-minded religious fundamentalism and corrosively mean personality. The union, which produces two children, becomes increasingly rancorous and will end in murder. Meanwhile, in her own time, Hannah is terrified by the appearances of a wildly sobbing ghost with "gruesome burning eyes," who exudes almost palpable hatred. Tantalizing clues about the identity of the macabre specter, and the eventual tragedy it causes, hum through the narrative like a racing pulse. Gutcheon adds depth and texture through lovely descriptions of the Maine coast and the authentic vernacular of its residents, whom she depicts with real knowledge of life in a seacoast community. Her sophisticated prose and narrative skill mark this novel, her sixth (after Five Fortunes), as a breakthrough to a wide readership. Agent, Wendy Weil. Literary Guild and Doubleday Book Club featured alternate; 6-city author tour. (Apr.) Copyright 2000 Cahners Business Information.|

RELEASE NOTES:

left loose on window ledge at corridor intersection