The Museum Guard
Registered by awakeagain of Port Murray, New Jersey USA on 1/6/2007
This Book is Currently in the Wild!
3 journalers for this copy...
rom Publishers Weekly
The worlds of Norman's novels (The Northern Lights; The Bird Artist) are always slightly askew. Like trompe l'oeil paintings, they contain a veil of mystery spread over realistic settings. DeFoe Russet, like most of Norman's other protagonists, is a minimally educated man of simple ambitions, limited horizons and little self-knowledge. An orphan whose parents died in a dirigible crash when he was eight, DeFoe is raised in a Halifax hotel by his incorrigibly alcoholic and amorous Uncle Edward, a guard in the town's art museum. High-school dropout DeFoe becomes a guard there, too, and he goes stoically through his days caring for his perennially derelict and self-destructive uncle. DeFoe also tries to nourish his failing relationship with Imogen Linny, the caretaker at the Jewish cemetery, whose debilitating headaches have increased since she's become obsessed with a painting on loan to the museum. Imogen is convinced that she is the figure in the painting, titled Jewess on a Street in Amsterdam, and is determined to travel to that city to play out the drama of "her soul's estrangement and reconciliation." But the year is 1938 and Hitler is on the march. Norman again creates eccentric characters whose oddities seem quite natural to others in their community. But the antic charm and mordant humor of his earlier work is somewhat lacking here, and the reader is not so willing to suspend disbelief. Despite a histrionic denouement, the narrative feels muted, and Imogen, in particular, never earns our sympathy. Yet in the end, Norman's message about the disparity between the world of art, which can be captured and controlled, and the real world, with its emotional chaos and physical danger, carries a haunting intensity.
The worlds of Norman's novels (The Northern Lights; The Bird Artist) are always slightly askew. Like trompe l'oeil paintings, they contain a veil of mystery spread over realistic settings. DeFoe Russet, like most of Norman's other protagonists, is a minimally educated man of simple ambitions, limited horizons and little self-knowledge. An orphan whose parents died in a dirigible crash when he was eight, DeFoe is raised in a Halifax hotel by his incorrigibly alcoholic and amorous Uncle Edward, a guard in the town's art museum. High-school dropout DeFoe becomes a guard there, too, and he goes stoically through his days caring for his perennially derelict and self-destructive uncle. DeFoe also tries to nourish his failing relationship with Imogen Linny, the caretaker at the Jewish cemetery, whose debilitating headaches have increased since she's become obsessed with a painting on loan to the museum. Imogen is convinced that she is the figure in the painting, titled Jewess on a Street in Amsterdam, and is determined to travel to that city to play out the drama of "her soul's estrangement and reconciliation." But the year is 1938 and Hitler is on the march. Norman again creates eccentric characters whose oddities seem quite natural to others in their community. But the antic charm and mordant humor of his earlier work is somewhat lacking here, and the reader is not so willing to suspend disbelief. Despite a histrionic denouement, the narrative feels muted, and Imogen, in particular, never earns our sympathy. Yet in the end, Norman's message about the disparity between the world of art, which can be captured and controlled, and the real world, with its emotional chaos and physical danger, carries a haunting intensity.
Going into the Another A to Z bookbox; to be mailed 2/2/07
Chosen from the box.
This book has one of the most boring and anticlimactic plot lines that I''ve ever read. It was only the plight of poor Defoe that kept me interested enough to finish reading it. An explanation of Imogen''s "issue" would have helped...as would some sort of intense moment, somewhere. I will be releasing this shortly.
Journal Entry 5 by elizardbreath at Controlled Release in Controlled Release, A Bookcrossing member -- Controlled Releases on Monday, August 20, 2007
Removed from the Wrap It Up Bookbox.
Going into the giant land slide that is my Mt. TBR!
Going into the giant land slide that is my Mt. TBR!
Journal Entry 7 by stagecrafty at Edmonds Community College in Lynnwood, Washington USA on Wednesday, April 25, 2012
Released 12 yrs ago (4/25/2012 UTC) at Edmonds Community College in Lynnwood, Washington USA
WILD RELEASE NOTES:
Released as part of my 20 book Edmonds CC book drop! I am releasing 20 books in one morning at my school.
I’m doing this in hopes of spreading the word about BookCrossing. I also wanted to share my love of reading with fellow students.
Good luck little book! May you find a nice home.
I’m doing this in hopes of spreading the word about BookCrossing. I also wanted to share my love of reading with fellow students.
Good luck little book! May you find a nice home.