Journal Entry 1 by gailcm from Dundee, Scotland United Kingdom on Monday, July 12, 2010

Set in the early nineteenth-century, the action moves from genteel drawing rooms—albeit where a mischievous Faerie king sips tea with the wife of a very human government minister, to the bloody battleground of Waterloo, where giant hands of earth drag men to their doom. The juxtaposition of perfectly realised magical worlds and the everyday one with which JK Rowling and Philip Pullman so successfully captured our imaginations and the social comedy of Austen and Thackeray can easily be recognised. But less easy to pastiche is the ability of these writers to induce sheer narrative pleasure, and it is Clarke’s great achievement that she succeeds with this hugely enjoyable read. Gilbert Norrell is determined to single-handedly rehabilitate his sanitised and patriotic version of English magic, which has suffered a post-Enlightenment neglect after a richly dark history. He ruthlessly secures his place as England’s only magician in two marvellously drawn feats. First, he brings the statutes of York Cathedral to life and then, to facilitate his entry into London society, he brings a young bride-to-be back from the dead--a feat with terrible consequences. However, another more naturally gifted magician—Jonathan Strange—emerges to become his pupil and later his rival. Strange becomes increasingly obsessed with the Raven King—the medieval lord-magician of the North of England and pursues his desire to recruit a fairy servant to the edge of madness. 

Journal Entry 2 by cheesygiraffe at Florence, Alabama USA on Monday, October 25, 2010

Thanks gail!