Burnt Shadows
14 journalers for this copy...
Released 14 yrs ago (1/18/2010 UTC) at By mail / post / courier, By Mail/Post/Courier -- Controlled Releases
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Enjoy your gift and have a great birthday :)
Just yesterday I came across a thread in the German forum - a bookring of the German translation of this novel. And I considered signing up - but then thought I'd better read the original some day, translations always lose something. And today I receive this book :-)
Thanks a lot for your wonderful birthday package - I'm thrilled!
August 9th, 1945, Nagasaki. Hiroko Tanaka steps out onto her veranda. Wrapped in a kimono with three black cranes swooping across the back, she is twenty-one and in love with the man she is to marry. Moments later the second atomic bomb was dropped on Nagasaki and her life is altered forever.
Two years later and in search of new beginnings, she travels to Delhi and walks into the lives of her fiancé's sister. But the shadows of history - personal, political - are cast over the entwined worlds of this family as they are transported from Pakistan to New York, and in the novel's astonishing climax, to Afghanistan in the immediate wake of 9/11.
A review: http://www.guardian.co.uk/books/2009/mar/07/burnt-shadows-kamila-shamsie-review
- wendyv, Australia, ship int'l
- shelj7k, Ireland, ship int'l
- mafarrimond, UK, ship EU
- ETMadrid, UK, ship EU (intl if needed)
- sing-on-a-star, UK, ship intl
- Annimanni, Finland, ship EU (intl if needed)
- Totje2, NL, ship EU
- okyrhoe, Greece, ship int'l
- cinnycat, US, ship US
- Erishkigal, US, ship US/Can
- jumpingin, Can, ship int'l
17th April 2010: started this last night and am so impressed so far. I thought the first few pages were beautifully written, allowing us an insight into the characters at the time of the Nagasaki atrocity. Am please to be on the ring. I think I shoudl be able to read it over the weekend....:)
I liked the time span. I found it fascinating to watch how the lives of the central charcaters were so entwined through all of the generations mentioned in the novel.
Thank you for including me in the ring. I will send this lovely novel on the next leg of its journey at the end of this week....I have to wait for payday!
Will be posted by Friday!
Thank you once again ApoloniaX for a very rewarding read. I have mafarrimond's address and will mail the book on Monday morning.
Thank you for sharing it with me.
Released 13 yrs ago (7/29/2010 UTC) at -- Somewhere in London 🤷♀️ , Greater London United Kingdom
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Thanks for the postcard - I've not seen one of these bookcrossing ones before.
This books deals beautifully with the emotions of the displaced. There's a line on p141 that I especially like when Hiroko says 'but I'm at home in the idea of foreignness.' I can relate to that myself, and can also say that homeliness for me feels foreign, as I'm back where I was born and it feels strange...
The descriptions of the cultures, the cross-cultural communication that can be possible as well as the clashes, are all impressively rendered. It deals with loss, and in so saying I'm reminded of the book "The Inheritance of Loss", equally brilliant though very different in style.
Quite how the author manages to make all that happens so believable is hard to grasp. I said to myself as I read, imagining it to be real, that the people must be saying 'if this were a book noone would believe it'. And yet I was completely drawn in and indeed, found it all believable. Unfortunately, such misfortune and loss can happen in this way. I thought this was a good mix of plot and subtlety and even poetry. To be able to write this about so many languages and cultures, set in so many countries, convincingly, well, I'm in awe really.
This book got to jump my queue of bookrings and rays so that I'd not be reading it last minute before the radio show. Thank you for making this possible!
PS the programme with Kamila Shamsie will be broadcast at 8pm UK time on the World Service, on Sat 6th November.
Released 13 yrs ago (9/17/2010 UTC) at Southwark, Greater London United Kingdom
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Have Annimanni's address so I will be sending the book on it's way this week. Thanks for including me in the ray.
Released 13 yrs ago (10/22/2010 UTC) at Manchester, Greater Manchester United Kingdom
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Next off to Totje2 in the NL. Enjoy!
Might even get to it before the ring I have now, because that's not a book I seem to get through...
I do already have the address of the person nex in line, so as soon as I finish, it'll continue its travels.
Thank you for your patience!
At first I had to get into it, but as the story 'unfolded' (not much to unfold thought, so a better word is 'continued' I guess), it dragged me deeper and deeper into the life of Hiroko and all that aurrounded her.
There were parts missing: Hiroko's time in Nagasaki after the bomb, her recovery and then there was a sudden jump into New York too, but that did not hurt the story very much in my opinion. I just loved the story and was touched by it. The one thing I did not understand was the ending. Since there are more people ho have to read the book, I won't spoil it for them, but that was a big ?...
This book will stay with me for some time.
Released 13 yrs ago (1/24/2011 UTC) at Leeuwarden, Fryslân (Friesland) Netherlands
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Thank you for ringing this book, ApoloniaX!!
For some reason the plot of Burnt Shadows seemed a tad too obvious. I could tell more or less what was going to happen, in which direction the scenes were developing. So I was reading at two levels, one to read the plot, and another to sense/study the words on the page. That second aspect however wasn't taking me anywhere. I expected to be engaged by the narrative exposition – looking forward to discover irony, double meanings, etc. - the kind of elements I had previously admired in Shamsie's novel Broken Verses.
Somehow the story and the telling of it, felt as if the novel lacked much of that. In fact, I had the distinct impression the novel was written with a film adaptation in mind. “The English Patient” I thought on a number of times. Eventually I came to the final section’s title, and it validated my impression.
Without saying it's necessarily a bad thing, there were also moments when works by other writers came to mind (Nicole Krauss The History of Love, Stephanie Kallos Broken for You, Marina Lewicka We Are All Made of Glue, Andre Dubus III The House of Sand and Fog). I'm not saying that Shamsie is emulating any of these works, it's just that her novel didn't seem distinctively unique from these other works with similar themes and meanings.
If Burnt Shadows is derivative of any particular story, I bet that Vikram Seth's Two Lives (a biography of his Indian uncle who married a German woman in England after WWII) must have been a major source: Hiroko's stoic quietude is an apt homage to V. Seth's German "Aunty". And for Raza Hazara's character, I would venture to guess the tragic,& complex story of Carlos Mavroleon may have been an inspiration.
The story should have gotten under my skin, but it didn’t. Why not? It's not that I sensed the plot elements lacked credibility, or that these characters' coming together, drawing apart, only to be united again, seemed too farfetched to bear a resemblance to reality. Far from it, it mirrored my own family’s photo album (a journey starting at WWII battle sites in North Africa, to the Kashmir in the early 50's, the Suez and Korea in the 60's, and back to the Middle East crisis in the 70's & 80's) and I had no problem with all these seemingly disparate elements coming together in a six-degrees of separation kind of way.
Nearing the final page of the book, I tried to find the root of my lack of excitement over this novel. One thing that bothered me is the “young” generation's (Kim's and Raza's) lack of a coherent political conscience. At this point I felt the characters lacked a substantial dimension; they became pawns in the storyboard the author was setting up for the final climactic scene. Despite the complexity of their heritage and their "inside" knowledge of history's details, they come off as somewhat naive (in an insular sort of way) and that did not convince me, given their background. More than anything, the last 40-50 pages of the book (the New York section) are the most "screenplayish" of all, where it's all about the plot, there is nothing of the carefully crafted dialogue and scenic descriptions of the first part of the book (the Nagasaki and Dilli sections).
Another thing I felt cheated by is that we are told time and time again that Hiroko and Raza are fascinated by language, yet that is not reflected into the work itself. Having read Shamsie's Broken Verses, where the literary obsession is an integral element of the story, as well as embodied in the words on the page, I expected to find that kind of meta-fictional play at work here, too.
Posting to cinnycat tomorrow.
Released 13 yrs ago (3/1/2011 UTC) at book ring/ray, By Mail/Post/Courier -- Controlled Releases
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The beginning with the love story in Japan (and the writing style a bit) reminded me of David Mitchell's 'The Thousand Autumns of Jacob de Zoet' and sure enough, Mitchell is mentioned in the acknowledgements. Interesting. One section also reminded me of 'A Passage to India', though I have never read it, and a few pages later it is actually mentioned in this one. It also reminded me of The Kite Runner. As I knew there were so many tragedies as a centerpiece, I thought maybe Shamsie was trying to benefit by including them. But often the book took place right after or before those events, which I'm not sure is a good or bad thing. Many places and cultures were included here. I loved the first 33 pages in Japan, but then the bomb falls. I would have liked if more of the book took place there. If it wasn't for the places and times mentioned in the chapter headings, I wouldn't have guessed anything that happened as the story went on. So maybe I would have liked to have less of a hint. But overall, I really like Shamsie's writing style (there are many memorable images here) and I'd love to read more.
I have Erishkigal's address but I'm not sure when my PO trip will be.
Near the end of the book, while Kim is transporting Abdullah fro NY into Canada, he says to her: "But war-countries like yours [he's talking about the US] they aways fight wars, but always somewhere else. The disease always happens somewhere else. It's why you fight more wars than anyone else; because you understand war least of all. You need to understand it better."
I had to stop reading for awhile when I hit that, and think about it....and s/he may very well have a valid point. At least as one part; and the hubris of my country's government is another.
I have jumpinin's address, I just need to package the book and get to the PO~~given the mail strike in Canada, I just haven't worried about getting it off right away.
edited to add:
just as well. I took this to the PO this afternoon (mon, 27th), only to be told they were not accepting any mail for Canada. Hopefully by my next trip that will have changed.