The Blind Assassin
2 journalers for this copy...
Found another copy of this book. Since I loved it, I want to share another copy.
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From Publishers Weekly
Starred Review. Atwood's Booker Prize–winning novel, with its 1930s setting and stories within stories, is well suited to audio dramatization. O'Brien has simplified and streamlined the structure so that it jumps around in time less and makes clearer parallels between past, present and the whimsical internal novel. Some dialogue has been added, while many meditative and descriptive sections are absent, but the new words blend gracefully with Atwood's own, and her elegant style remains intact despite the omissions. Abundant sound effects make the production much richer than many audiobooks; it sometimes seems like a movie without the visuals, with chirping birds, clinking silverware and the murmur of crowds filling in the background. Music that alternates between a lovely, slightly melancholy theme and an ominous one, helps highlight the shifts from the protagonist Iris's personal history to her retelling of the novel. The skills of the cast almost make such extras unnecessary: the three women who play Iris at different ages capture her brilliant but frustrated spirit perfectly, while the actresses for her troubled younger sister, Laura, find just the right blend of dreaminess and defiance. Though in some respects this adaptation is less intricate than the rather complicated original, the condensation serves it well, making the story more tightly wound and intense in a way that should attract listeners who may be put off by Atwood's writing.
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From Publishers Weekly
Starred Review. Atwood's Booker Prize–winning novel, with its 1930s setting and stories within stories, is well suited to audio dramatization. O'Brien has simplified and streamlined the structure so that it jumps around in time less and makes clearer parallels between past, present and the whimsical internal novel. Some dialogue has been added, while many meditative and descriptive sections are absent, but the new words blend gracefully with Atwood's own, and her elegant style remains intact despite the omissions. Abundant sound effects make the production much richer than many audiobooks; it sometimes seems like a movie without the visuals, with chirping birds, clinking silverware and the murmur of crowds filling in the background. Music that alternates between a lovely, slightly melancholy theme and an ominous one, helps highlight the shifts from the protagonist Iris's personal history to her retelling of the novel. The skills of the cast almost make such extras unnecessary: the three women who play Iris at different ages capture her brilliant but frustrated spirit perfectly, while the actresses for her troubled younger sister, Laura, find just the right blend of dreaminess and defiance. Though in some respects this adaptation is less intricate than the rather complicated original, the condensation serves it well, making the story more tightly wound and intense in a way that should attract listeners who may be put off by Atwood's writing.
I'm pretty sure this went in the mail to someone who picked it from the Everybook VBB, but I can't remember which person (maybe DPA?)...
Thanks, arrived July 16th, look forward to reading it!
The first chapter was very pretty interesting but got really boring after that,
RES for butterfily-noir who took this out of the 1001 Books VBB on Bookobsessed.
RES for butterfily-noir who took this out of the 1001 Books VBB on Bookobsessed.
Journal Entry 5 by darkpunkangel at 1001-Library, A Bookbox -- Controlled Releases on Wednesday, January 12, 2011
Released 13 yrs ago (1/12/2011 UTC) at 1001-Library, A Bookbox -- Controlled Releases
CONTROLLED RELEASE NOTES:
Sent today to butterfly-noir. Hope you enjoy the book!