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Journal Entry 1 by tempestsans from Canton, Georgia USA on Saturday, October 28, 2006
an enjoyable read that follows Pan and Star, children of the '60s who decide to "drop out" and drive cross country ending up as part of a commune. when the local authorities, intolerant of the communal 'hippie' lifestyle of the 30 or so people of Drop City, decide to shut down the commune for health (and other) reasons and plow under the sub-standard dwellings, the tribe loads up a bus and heads for Alaska in search of a new way to get back to Mother Earth. not at all what i expected when i purchased the book, even less so when i began to read it, but in the end, quite an entertaining removal from the everyday of 2006. 4/23/2007 left on the book buffet at the charleston BC anniversary convention
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Journal Entry 5 by Deepswamp from Oskarshamn, Småland Sweden on Wednesday, March 25, 2009
One of the primary protagonists in Drop City is Star, a young girl from New York state who has driven all the way out to California with her high-school friend, Ronnie -- who calls himself Pan. Star gets increasingly disillusioned with Pan and latches on to the first somewhat sensible guy she meets--Marco. A few chapters later, the novel shifts focus to rural Boynton, Alaska, where a different kind of "living off the land" is in practice. Here, a little implausibly, Pamela is checking out a few bachelors because she has decided to go back to the land; "she was going to live in the bush, and she was going to be one hundred percent self-sufficient." She is willing to put herself in "the hands of some grizzled, twisted, sex-starved fur trapper with suet-clogged arteries and guns decorating his walls." After a brief romance, she hooks up with Sess Harder, a self-made man who seems to be just Pamela's type. Back at Drop City, the paradise where there were "big pots full of mush, women with their tits hanging, health and simplicity and the good rural life," might seem glamorous, but reality is a lot harsher. Norm runs Drop City according to the principle LATWIDNO -- Land Access to Which is Denied Nobody. This principle predictably invites many freeloaders and troublemakers. What's worse, the California government officials want to close the commune down due to health hazards: "nobody wanted a free-form community in their midst, because free-form meant anarchy, it meant a cordillera of trash a mile high and human shit in the woods." At such time, Norm Sender decides to move his commune to yes, Boynton, Alaska. His uncle, Roy Sender, has left him a cabin up there and the rest, they can build, right? "We're going to take down some trees, because that's the way you do it," Norm explains to Drop City residents, "lumber is free up there, can you dig that, free -- and we're going to build four more cabins and a meeting house and we're going to build right on down to the river because the salmon are running up that river even as we speak and they're running in the millions…We're going to eat the land because it's one big smorgasbord." Inevitably, as Drop City settles into Alaska, we get to watch the incredulous natives shift around and try to absorb them. "The world was changing," Sess Harder admits to himself, "men had hair like women, women wore pants like men and let their tits hang loose, and who was going to argue with that?" Boyle's narrative paints the hippie culture and native Alaskan life in vivid detail. At times though, the story does tend to drag and wander around in a haze. The contrasts between the denizens of Drop City and Boynton may be glaringly evident at first (Star has a tough time explaining what bell bottoms and LSD has with getting back to nature) but as the citizens gradually find their place, the distinction becomes more of a blur. Boyle treats these subtle character shifts very well. Drop City is a slightly sympathetic look at hippie culture; Norm Sender eggs his denizens on: "It's going to be an adventure," he promises, "and there's nobody -- I mean nobody -- to stop us." As the cruelly harsh Alaskan winter gradually envelops Drop City, one hopes, for their sakes, that he is right. Boyle's latest is an honest look at what it takes to survive in the human jungle. He shows that ultimately what sustains or unravels us usually comes from within. Jealousies, anger, fear--these are emotions that dog us down to the most remote places on earth and ultimately tear our carefully constructed worlds apart. You can run, but you can't hide. I have a god time with this book! I read with the horror the part when Drop City is falling apart - just think of the place "And this was a crisis, whether people seemed to realize it or not - the toilets in the main house were overflowing and there was a coil of human waste behind every rock, tree and knee-high scrap of weed on the property, and that was primitive....." I never was a true flowergirl at that time, but I think it is a god description. The story got hold on me, thanks a lot! I will give it to the 1001-library. #14 1001 books
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