Birdsong
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Birdsong
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This Book is Currently in the Wild!
12 journalers for this copy...
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Sebastian Faulks' first novel, A Trick of Light, was published in 1984. It was followed by The Girl at the Lion d'Or in 1989, and A Fool's Alphabet in 1992. In 1993 he published Birdsong to huge critical acclaim. Faulks (left) was named Author of the Year in the British Book Awards of 1995. You can read an article on Faulks' work on the BBC World Service's website here. INTERNATIONAL BOOKRAY 1. This is an international bookray -- if you join, please be willing to ship anywhere. 2. Please journal the book when you receive it, and again when you mail it out -- that way, everyone will know the book's approximate location. 3. If you don't think you'll be able to read this book within a reasonable time of receipt, please let me know before it's sent to you by the previous reader, and I will be happy to move your name further down the list. 4. Whether you have read the book or not, please do not keep it longer than eight weeks. Participants: 1. itsmejudy - Mt. Evelyn, Victoria, Australia - rec'd June 23, 04. 2. tantan - Gympie, Queensland, Australia - rec'd August 4, 04; mailed August 27, 04. 3. Ada2 - North Avoca, New South Wales, Australia - rec'd September 2, 04; mailed September 27, 04. 4. deadsteen - Cortlandt Manor, New York, USA - rec'd October 13, 04; mailed October 30, 04. 5. jenvince - Sherman Oaks, California, USA - rec'd November 13, 04; mailed December 6, 04. 6. morpha - Astoria, Oregon, USA - rec'd December 18, 04; mailed late December. 7. dododumpling - St Neot's, Cambridgeshire, UK - rec'd February 1, 05; mailed February 16, 2005. 8. madhamster - Derby, England, UK - rec'd February 18, 05; mailed April 29, 04. 9. Mymlan - Helsinki, Finland - rec'd May 3, 05. |
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The love stories didn't work so well for me. I'm not sure whether it's because they're a bit of a disappointment all round, or because communication between the central characters never properly gets opened up, or because the 'happy' endings all seem a bit of a compromise - anyway, they were all a bit unsatisfying for me - which could say more about me than the book! On the other hand, the relationships between the soldiers - the friendships between men in battle, worked very well. I also felt that the book laboured its points many many times - that it was sometimes over-written. The imagery of war, of the horrors of trench warfare, the isolation and emotional and physical deprivation, the fears, the comradeship, the deep dark of the night in the fields of battle - all these elements were excellent, but then it went on and on - and rather than this aspect of the writing becoming relentless (which is a great device), it became tedious till I felt like saying to the writer, 'I do get it!'. The book was obviously critically well-received: all the reviews on the cover and inside are outstanding. Maybe this sets the bar a bit too high and the reader expects too much, rather than just enter the book unencumbered. Anyway, I liked it very much, connected with the WW1 experience and was deeply touched and enriched by that, but felt finally that the human (romantic) relationships left me disappointed. Thanks goatgrrl for the opportunity to read this. I have never read this author before, nor seen this work anywhere. Glad to have read it. M. |
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I think one of the things that struck me most was that "life goes on". I’d never really thought about the logistics of the First World War but the realisation that life carried on a few miles behind the trenches surprised me for some reason. Even worse was the apparent indifference on the home front – the reactions of Weir’s family when he went home on leave was shocking, likewise the reactions of the shopkeepers to Stephen when he was on leave in London. Over the weekend I was in my favourite charity shop looking at the bookshelves and found Vera Brittain’s Testament of Youth, which I am hoping will give me further background. The descriptions of the tunnels (about which I had no idea), the mud, the lice, the rats, the canaries, the camaraderie … all of these were, as morpha has said, were gut-wrenching. But it was often the almost incidental details which really hit me hard: The letters written home – the way the soldiers tried to reassure their wives and parents that all was well. In particular those letters written before the battle of the Somme – those men were just waiting to die. The agony and tension must have been unbearable. The fact that in the first part of the book, places which have such historical resonance – Thiepval, Somme – are mentioned in passing as ordinary places, places with nice tearooms or pretty views. You forget that these places existed before the war. The fact that an exhausted, terrified soldier could be faced with court martial for falling asleep at his post. The fact that whole communities signed up (for instance the entire Heart of Midlothian football team) and so few returned. Here are some links which I hope will be of interest: The Thiepval memorial arch And another about the arch The Battle of the Somme A map of the Somme Thanks for sharing this book, goatgrrl. I'm pleased to have read it. |
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Released 6 yrs ago (6/17/2005 UTC) at Kallion kirjasto in Helsinki, Uusimaa Finland WILD RELEASE NOTES:
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Released 5 mos ago (12/4/2011 UTC) at Stockmann in Helsinki, Uusimaa Finland WILD RELEASE NOTES: |
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