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"Nobody ever committed suicide while reading a good book, but many have while trying to write one."
The God of small things
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The God of small things
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3 journalers for this copy...
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A wonderful trade from Joanthro, mailed in Denver on April 6th, received in New Westminster, BC on April 21st (I'm afraid the mail from USA -> Canada didn't move as quickly as the mail in the other direction, and I have no doubt this is either the fault of Canada Customs, or Canada Post ...!). Thanks so much for the bookmarks and the note, as well -- the whole package was so nice to receive.Very best wishes from British Columbia! |
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The God of Small Things is set in the real-life village of Ayemenem, near the town of Kottayam in the state of Kerala, southwest India. The novel tells the story of twins Rahel and Esthappen ("Estha") Kochamma, who are thirty-one as the novel begins (sometime in the 1990s), but children throughout much of the story. The 'bones' of this novel are revealed in its first pages: the twins' half-English cousin Sophie Mol (Mol means young girl in Malayalam) will drown; their untouchable friend Velutha will be killed; a forbidden love affair will occur; the twins will be separated (they are reunited as the novel begins); and their mother -- Ammu -- will die of cancer at thirty-one (she is twenty-seven in 1969, when cousin Sophie and her mother come from England to visit Sophie's father, the twins' uncle Chacko). But it is the relationship of each of these events to the other, and the importance of each occurrence to all that happens next, which forms the real subject matter of God of Small Things.Be prepared to make notes as you read this novel, as Roy's flashback/flash-forward style -- while effective in depicting the psychological links between the past and the present -- can be disorienting. However disorienting or not, it illustrates very well the irrelevance of chronology to meaning -- in other words, that you can know from the beginning the bare bones of how a story will end, without fully understanding the depth of meaning and significance which may attach. A little coyly, Roy describes this same phenomenon in the part of the story where Rahel sits down to watch a kathakali dance in mid-performance: It didn't matter that the story had begun, because kathakali discovered long ago that the secret of the Great Stories is that they have no secrets. The Great Stories are the ones you have heard and want to hear again. The ones you can enter anywhere and inhabit comfortably. They don't deceive you with thrills and trick endings. They don't surprise you with the unforeseen. They are as familiar as the house you live in. Or the smell of your lover's skin. You know how they end, yet you listen as though you don't. In the way that although you know that one day you will die, you live as though you won't. In the Great Stories you know who lives, who dies, who finds love, who doesn't. And yet you want to know again. (p. 218) Arundhati Roy was the first Indian citizen to win the Booker Prize. (The West Indian-born VS Naipaul and British citizen Salman Rushdie, born in Bombay, have also won the award.) There's a review of God of Small Things in Salon magazine here, and an interview with Arundhati Roy (also in Salon) here. The Guardian published a lengthy profile on Roy in 2002, available online here, and there's an interesting interview with her mother, Mary Roy, here. (Photo: the backwaters around Ayemenem -- borrowed from this online travelogue by Partha S. Banerjee.) |
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