Product Description Amazon.co.uk
It is 1947, and Evie and Martin Mitchell have just arrived in the Indian village of Masoorla with their five-year-old son. But cracks soon appear in their marriage as Evie struggles to adapt to her new life, and Martin fails to bury unbearable wartime memories.
When Evie finds a collection of letters, concealed deep in the brickwork of their rented bungalow, so begins an investigation that consumes her, allowing her to escape to another world, a hundred years earlier, and to the extraordinary friendship of two very different young women.
And as Evie’s fascination with her Victorian discoveries deepens, she unearths powerful secrets. But at what cost to her present, already fragile existence?
My copy arrived just a few days ago in the post from the publishers as I am taking part in the Transworld Reading Challenge.
I am delighted to say that it is thanks to the Transworld Book Challenge that I got to read this engaging and evocative novel. It was my first choice of four titles for this excellent scheme, whereby they send me a book to read and review, once my review is posted they will send me my next choice. This is a great idea that works for authors, publishers, readers and reviewers. I do hope they will do this again as this is a title I may well have missed out on had I not signed up for the challenge.
It is thought that ‘Partition’ may well be the worst thing that ever happened to India. This statement was backed up for me when I read the author’s notes at the end of this book, where she tells of a man talking to her about ‘ Partition’ I quote “When you create a border based on ideology, you create something to fight over. When you live side by side, you create a reason to get along”
The story unfolds slowly but it needs to as you are reading the stories of two different sets of characters in different times as the novel alternates between the India of 1947 and that of 1857. Two love stories ninety years apart but linked by the main protagonist of the story Evie.
Evie, her husband Martin and their young son have travelled to India as Martin has been awarded a Fellowship to study the end of British rule in India. The marriage is under strain due to Martin’s war time experiences and finding herself stranded in a colonial bungalow in the Himalaya’s Evie struggles to heal the rift between her and her husband. It is in this bungalow that Evie finds a hidden cache of letters which relate a compelling story of two Victorian women. Felicity and Adela, were unconventional young ladies that had lived in the same bungalow, hiding their story for others, they hoped to find one day. Evie becomes drawn to their story and embarks on piecing this mysterious love story together.
The detail of the sights, sounds and smells of India are portrayed so well by the author that I felt transported there. I recommend the book highly, however there is one small thing that I noticed that I have not been able to answer from the text. In the 1940’s section of the novel Evie is relating the story to us in the first person, but somehow the date does not seem right, was she relating this years later? Why do I query this, let me quote from page 64, second paragraph.
‘In 1945 they called it combat fatigue, but in the First World war they had called it shell shock, which is more accurate. Martin wasn’t simply tired of combat, he was shocked by the barbarism skulking in men’s souls. After Vietnam, they started calling it Post Traumatic Stress Disorder. Stress? Please. The names for this mental illness become more sanitized with every war.’
Did any one else who has already read this notice this, if so what did you make of it? Did you find any reference in the novel as to when Evie was telling us this story, that it was maybe not in the 1940’s, apart from this paragraph? I would love to know.
To conclude, I thoroughly enjoyed this perfectly entwined novel that manages to swap easily from one time frame to the other, without confusing the reader.
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Released 5 yrs ago (10/11/2011 UTC) at At her home, By Hand - to my daughter -- Controlled Releases
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